Materials: Performing mat and monitor with scrolling text attempting to describe the performance of contortionists Pixie Le Knot and Yasmine Smith in a lengthy looped series of instructions
Working with contortionists Pixie Le Knot and Yasmine Smith, we devised a twenty-minute performance that could be repeated over three-weeks. Le Knot and Smith performed three to four times a day in twenty-minute blocks. Between performances, the performance mat remained in place and a monitor was added featuring a scrolling series of detailed instructions describing the performance by Le Knot and Smith which the public were invited to read and perform. Also, between performances the contortionists, remaining in costume, relaxed in the ‘non-performance’ café, and foyer areas of MAO.
Text by Sally O’Reilly.
Bicycle wheel building, contortionism and taxidermy may appear to have absolutely nothing in common, and certainly no business in a window next to an MOT centre; but nonetheless, they all feature in this rolling, six-day programme of demonstrations, which brings unusual or outmoded skills and obsessions into public view. Ordinarily these people pursue their craft and techniques in contexts that make sense of them: the theatrical performer on a stage, the object maker in a commercial workshop, the hobbyist at their leisure. But here, the removal of the task in hand from the situation that renders it useful or relevant refocuses the act of making, the essence of labour itself, and the skill and expertise involved. A live feed camera projects the close-up movements of accomplished hands and bodies that have spent years finessing their particular specialisms; but unlike television infotainment programmes, these demonstrations lack spoken explanation, and this silence leaves us plenty of space in which to ponder what is happening and why. Whether for business or pleasure, there is no denying the time invested in these pursuits, both personal, in the famous 10,000 hours it takes to acquire a skill, and collective, through centuries of accrued folk skills and technological progression. Far from nostalgic, though, this array of talents and knowledges just goes to show how many supposedly useless, unprofitable or anachronous activities are hidden within the complexity of a functional and functioning contemporary society.